ByDave Yaeger, writer at Creators.co
I run a movie blog (https://justkillingti.me) and love to review movies, trailers, movie news and mull over all manner of geekery!
Dave Yaeger

We live in the age of the sequel. Studios want franchises with multiple sequels, and increasingly, shared movie universes copying the success of the Marvel Cinematic Universe. While sequel fatigue may be creeping into many moviegoers minds, the fact is that sequels are here to stay.

Sequels have an advantage in that they guarantee audience connection, the opportunity for deep character exploration and the chance to build large and challenging plot lines that wouldn't be possible in a single installment. When filmmakers take advantage of these tools, the sequel can even eclipse the film that inspired it. The best sequels build and expand upon great films. Here are 10 films where the sequel managed to top (even by the slimmest of margins) the original.

1. The Good, The Bad And The Ugly (1966)

The Man with No Name (Clint Eastwood) in 'The Good, The Bad and The Ugly' [Credit: United Artists]
The Man with No Name (Clint Eastwood) in 'The Good, The Bad and The Ugly' [Credit: United Artists]

Sergio Leone's The Good, The Bad, and The Ugly is often thought of as one of the greatest westerns of all time, but it is also a sequel (a second sequel, in fact). The Good, The Bad and The Ugly is the finale to the Man with No Name Trilogy starring . A Fistful of Dollars (1964) and For a Few Dollars More (1965) were good, but The Good, The Bad and The Ugly is one of the definitive films of the western genre and Eastwood's career.

2. The Godfather :Part II (1974)

Michael Corleone (Al Pacino) in 'The Godfather: Part II' [Credit: Paramount Pictures]
Michael Corleone (Al Pacino) in 'The Godfather: Part II' [Credit: Paramount Pictures]

Whether The Godfather or The Godfather Part II is the better film is something that could change every time you watch the films, but Part II was the first sequel to win the Academy Award for Best Picture. Part II is a structurally more complex film than the first installment. Tracing two timelines, The Godfather Part II tells the story of young Vito Corleone (Robert DeNiro) and the beginnings of the Corleone empire, while also showing his son, Michael (Al Pacino), build the family business and lose his own family in the process. Whichever is truly better, both are among the best films ever made.

3. Star Wars: Episode V — The Empire Strikes Back (1980)

Luke Skywalker (Mark Hamill) and Yoda (Frank Oz) in 'Star Wars: Episode V — The Empire Strikes Back' [Credit: Lucasfilm]
Luke Skywalker (Mark Hamill) and Yoda (Frank Oz) in 'Star Wars: Episode V — The Empire Strikes Back' [Credit: Lucasfilm]

The original Star Wars, for all it set in motion, was a fairly simple movie: good triumphs over evil in a galaxy far, far away. The Empire Strikes Back exploded the boundaries of the universe, what we thought we knew about it, and remains the best entry in a franchise that is currently entering a new Golden Age. Yoda, The Battle of Hoth, Boba Fett, Lando, and one of the greatest twists in film history all spring from Empire, and by the end of the film, things aren't simple any more — the bad guys win! Han is a frozen wall painting! Vader is Luke's father! The events of Empire are still impacting the current episodes nearly 40 years after its release.

4. Star Trek II: The Wrath Of Khan (1982)

James T. Kirk (William Shatner) and Spock (Leonard Nimoy) in 'Star Trek II: The Wrath Of Khan' [Credit: Paramount]
James T. Kirk (William Shatner) and Spock (Leonard Nimoy) in 'Star Trek II: The Wrath Of Khan' [Credit: Paramount]

The first Star Trek movie has an intriguing premise, but it was wrapped in an enormous amount of boring slog surrounded by very, very dated 1970s uniforms. To say Star Trek II is better is probably the safest call on the list. The Wrath of Khan remains the best of the films, has the series' best villain, and the best moment in the history of the franchise. Spock's sacrifice — giving his life for the needs of the many — is one of the best death scenes ever filmed.

5. Aliens (1986)

Ellen Ripley (Sigourney Weaver) in 'Aliens' [Credit: Fox]
Ellen Ripley (Sigourney Weaver) in 'Aliens' [Credit: Fox]

Ridley Scott 1979 Alien was a horror movie. One alien trapped on a ship with a woefully unprepared crew. When James Cameron took over the sequel in 1986, he wisely didn't try to replicate the horror movie environment. Aliens isn't a horror movie; is a war movie. This time, Ripley (Sigourney Weaver) and a band of marines are knowingly going into a Xenomorph nest. This allowed Cameron to expand the mythology of the creature, introduce the Alien Queen, and set up one of the best fights of all-time, when Ripley gets into a cargo loader to take on the ugliest bug of them all.

6. Terminator 2: Judgment Day (1991)

A T-800 in 'Terminator 2: Judgment Day' [Credit: TriStar Pictures]
A T-800 in 'Terminator 2: Judgment Day' [Credit: TriStar Pictures]

In 1984, The Terminator introduced Arnold Schwarzenegger to a mass audience. In the first film, Arnold's Terminator is a monster. Cameron turned things on their head for Terminator 2: Judgment Day by making Arnold a reprogrammed protector of John Connor against a much more advanced, liquid metal (Robert Patrick).

Cameron pushes the boundaries of technology for his films; it's one of the reasons they're so long in development. For T2, he and his F/X team took morphing technology first used in the film Willow, then combined it with the malleable metallic effect that was used in Cameron's own The Abyss to create the effect that allowed the liquid metal terminator to emulate any object it touched. Within two years, the technology was so commonplace it was in shaving cream commercials, but it never looked better than when the T-1000 walked out of the fire at the end of the aqueduct chase.

7. The Lord Of The Rings: The Return Of The King (2003)

Frodo Baggins (Elijah Wood) in 'The Lord Of The Rings: The Return Of The King' [Credit: New Line Cinema]
Frodo Baggins (Elijah Wood) in 'The Lord Of The Rings: The Return Of The King' [Credit: New Line Cinema]

The Lord of the Rings is really one 12-hour film broken into three parts. However, since The Return of the King achieved the biggest Oscar sweep in Academy history, winning every one of the 11 Oscars for which it was nominated (including Best Picture), it's safe to say the finale is the best of the three parts of the whole.

The number of plot threads that The Return of the King is asked to wrap up is astronomical, plus it has to top the moments that have already transfixed us in the trilogy. is a catalog of amazing scenes, jaw-dropping battles, emotional moments, and several well-deserved curtain calls, laying down its claim as one of the greatest films (or trilogies) of all time.

8. The Bourne Supremacy (2004)

Jason Bourne (Matt Damon) in 'The Bourne Supremacy' [Credit: Universal]
Jason Bourne (Matt Damon) in 'The Bourne Supremacy' [Credit: Universal]

The Bourne Identity was a different kind of spy thriller. It was believable, practical and grounded. Matt Damon doesn't look like an action star, which is why he's so effective as — an everyman who can do anything. The first film was about discovery and sending a message that he wanted to be left alone (they really should have listened). The Bourne Supremacy is a tale of vengeance and atonement. The upgrade in director from Doug Liman to Paul Greengrass resulted in one of the best action films of the last 25 years and the most insane, plot-driven car chase of all time.

9. The Dark Knight (2008)

The Joker (Heath Ledger) and Batman (Christian Bale) in 'The Dark Knight' [Credit: Warner Bros.]
The Joker (Heath Ledger) and Batman (Christian Bale) in 'The Dark Knight' [Credit: Warner Bros.]

The middle installment of The Dark Knight Trilogy is widely considered to be the greatest comic book film of all time. Drawing inspiration from crime epics like Michael Mann's Heat, Christopher Nolan delivered the ultimate movie. Heath Ledger's spellbinding take on Batman's greatest foe astounded audiences and critics alike. From the incredible bank robbery to begin the film, the iconic interrogation scene, the Batpod chase, all the way to the film's bittersweet ending, The Dark Knight is the standard by which all comic book films are measured.

10. Toy Story 3 (2010)

Buzz Lightyear (Tim Allen), Woody (Tom Hanks), and the gang in 'Toy Story 3' [Credit: Disney-Pixar]
Buzz Lightyear (Tim Allen), Woody (Tom Hanks), and the gang in 'Toy Story 3' [Credit: Disney-Pixar]

Toy Story 3 is a perfect example of how sequels can use multiple installments to build characters. All of the films are perfect, but by the third film, we've spent a lot of time with Woody and Buzz and the gang. We've also watched Andy grow from a little boy to a young man leaving for college.

That character building and the passage of time hit like a sledgehammer when Andy decides to give his toys away. That scene — the giving up your childhood friends for an adulthood — resonated so much with moviegoers (especially grown men) that newspapers were writing articles on the phenomenon of adult men breaking down in tears watching the film. That's a moment that was paid for with three films of perfection, and shows how good sequels can be at their best.

Honorable Mentions: Superman II (1980), Spider-Man 2 (2004), X-Men 2: X-Men United (2003), Captain America: The Winter Soldier (2014) and Dawn of the Planet of the Apes (2014)

Final Thoughts

2017 has certainly given us our fair share of sequel busts, but we've already had some successes in John Wick: Chapter 2, Logan and Guardians of the Galaxy Vol. 2. Nothing is truly new in Hollywood, and the proliferation of sequels could be likened to the serials of the 1930s and 1940s. While they might not have had the polish of today's franchises, old film serials like Buck Rogers or Flash Gordon inspired a generation of filmmakers like George Lucas and Stephen Spielberg. Who knows what the generation of directors raised on the new Star Wars films and the MCU could go on to create?

Which sequel do you think is far superior to the first film?

(Sources: The New York Times, The Telegraph, The Telegraph)

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