The Immigrant (James Gray, USA)
The Chicago International Film Festival scored a major coup last month by hosting the midwestern premiere of James Gray’s The Immigrant, a truly great new American film that is in the process of being tragically buried by its distributor The Weinstein Company (it won’t be released until 2014 and, even then, may go straight to video-on-demand). I was therefore particularly gratified to see this on the big screen. Gray’s masterful drama tells the story of Ewa (Marion Cotillard), a Polish immigrant who arrives at Ellis Island in the early 1920s along with a tubercular sister (who is promptly quarantined). After being threatened with deportation, Ewa reluctantly turns to a charming but ruthless burlesque show manager and pimp, Bruno (Joaquin Phoenix), who promises to help her out. Tragically, it isn’t long before Ewa is prostituting herself in the streets and finds herself in a doomed love triangle with Bruno and his cousin, a seemingly kindhearted magician named Orlando (Jeremy Renner). While this might sound like a familiar melodrama scenario, Gray consistently pushes the material in directions more challenging and rewarding than you might expect, profoundly exploring notions of love and forgiveness within a specific Polish/Catholic milieu, while also wringing from his story the emotions of grand opera. Gray’s fifth feature, his first period piece, is his most ambitious work to date. It is also his masterpiece.
From my CIFF Report Card: