Starring Keanu Reeves, Michael Nyqvist, Alfie Allen, Adrianne Palicki, Bridget Moynahan, Dean Winters, Ian McShane, John Leguizamo, Willem Dafoe. Directed by Chad Stahelski. (2014, 101 min). Lionsgate
In terms of pure audience manipulation, John Wick might just be the greatest tale of revenge ever made. The best ones (from the artistic to the exploitative) all have one thing in common: they make vengeance a totally justifiable course of action. Who didn’t cheer-on Charles Bronson’s mugger-murdering rampage in Death Wish, Clint Eastwood’s cold, calculated retribution in High Plains Drifter or Uma Thurman’s bloody wrath in Kill Bill?
Violent payback seldom works out how we’d like it to in the real world, but it’s damn fun to watch, which is obviously why tales of revenge - both calculated and reactionary - have been mainstays of popular entertainment ever since Shakespeare scribbled Hamlet.
But John Wick may trump them all. Not because of its kinetic action scenes (which are truly exciting), not because of Keanu Reeves as the title character (even though he hasn't been this badass since The Matrix), and certainly not because of the complexity of the story (this might be the most simple tale of revenge since the original Mad Max). John Wick manages to get the audience totally onboard because director Chad Stahelski and screenwriter Derek Kolstad know what will truly rouse us into a state of bloodthirsty vengeance…
...killing this girl:
You gotta be one steel-hearted bastard not to be moved by the passing of a pooch, often the canine equivalent of Spock’s demise at the end of Star Trek II: The Wrath of Khan.
In John Wick, the title character (Keanu Reeves) is a legendary hitman who retires from the business to take care of his cancer-stricken wife. Her last act before dying was sending John a gift, a puppy named Daisy, so he wouldn’t have to grieve alone. John forms an immediate attachment to Daisy and takes her everywhere. Then a couple of Russian thugs, ignorant of who he is and simply want his classic ‘69 Mustang, break into his house, beat him up and kill Daisy. That’s all it takes for Wick to unleash the fury and hunt them down. Complicating matters is the fact one of those thugs is the son of Viggo Tarsov (Michael Nyqvist), who once hired Wick to kill everyone who stood in the way of his quest to be the most powerful leader of the Russian mob.
But really, John Wick grabbed us at Daisy’s death, because…
...well, just look at her!
Sure, Wick’s revenge is based more by what Daisy represents (his wife’s dying symbol of love) than Daisy herself, but the fact she’s just a puppy (the cutest movie puppy ever) makes his systematic slaughter all the more righteous. Would we feel the same way if his dying wife sent him a cat? I doubt it, because unless they’re hungry, cats generally don’t give a shit about us.
But there’s something about the untimely screen death of a pooch which, no matter how many people have been shot, stabbed, blown-up, crushed, devoured or disemboweled, has most of us crying, “Oh no! Not the dog!” Which is why John Wick, despite its simplistic story, is such a satisfying tale of revenge. Shamelessly manipulative? Absolutely, but supremely effective nonetheless.
This was one of the best action movies of 2014, and certainly worth seeing more than once.
- Audio commentary by the director
- Featurettes: Don't F*#% with John Wick (how Reeves trained for the role); Calling in the Cavalry; Destiny of a Collective; Assassin's Code; Red Circle (the nightclub where the biggest action set-piece takes place); NYC Noir
- DVD & Digital copies