BySandra Harris, writer at Creators.co

HALLOWEEN H20… TWENTY YEARS LATER. 1998. DIRECTED BY STEVE MINER. THEME TUNE BY JOHN CARPENTER. STARRING JAMIE LEE CURTIS, JANET LEIGH, LL COOL J AND JOSH HARTNETT. REVIEW BY SANDRA HARRIS. ©

I love this film. It’s one of my favourite movies in the HALLOWEEN franchise, begun in 1978 and based on characters created by Debra Hill and the legendary John Carpenter. Serial killer Michael Myers, he of the white William Shatner mask, sensible boiler-suit-and-old-work-boots ensemble and distictly stabby tendencies, is back and guess what…? He’s up to his old tricks again.

Once more, we see him chasing after his sister Laurie Strode, brilliantly played by Jamie Lee Curtis. This time around, however, Laurie is no longer the fearless teenage babysitter she once was. She’s all grown-up and neurotic now and the headmistress of a posh private boarding school in a charming little town where, one presumes, nothing really bad ever happens. Till now…

Laurie’s teenage son, played by Josh Hartnett, is a pupil at the school. Mom is having a hard time loosening the apron strings because she’s still very much hung-up on the whole being-nearly-killed-by-her-psychopathic-brother thing. She still has nightmares about Michael and she’s an alcoholic as well, a condition that ably demonstrates her very human frailty and inability to come to terms with the worst thing that’s ever happened to her. Well, it’s the worst thing that can happen to anyone really, isn’t it? Or one of them, anyway.

Sonny Boy is driven mad trying to convince Mom to loosen up a little and put the past behind her. She sure picks an ill-advised time to do just that. It’s Halloween (naturally!) and Michael arrives at the nearly empty school- most of the students and teachers are away on a school trip to Yosemite- all ready to create his own particular brand of havoc. Stabby havoc…

The unhurried, impassive-faced but undoubtedly lethal serial killer cuts a murderous swathe through the remaining staff and students in an effort to get to Laurie. When an opportunity for escape presents itself, however, does Laurie grab it with both hands or does she decide to finally make a stand and face down the man who’s haunted her dreams since forever…? I think I’ve probably given the game away with that last bit so just try to look surprised when it happens, haha.

The gorgeous browns and oranges of America in the Fall give the film a lovely warm cosy feel, despite the fact that it’s a slasher movie. The Americans really know how to do Halloween, as we know from THE SIMPSONS and MODERN FAMILY and the HALLOWEEN franchise itself. That’s certainly reflected in their beautiful scenery, foliage and unerring ability to decorate their homes and gardens to absolute perfection during the spooky season.

Michael Myers is, as always, amazing in everything he does: getting up every time he’s been hit even when you think it’s impossible, dropping one-handed down from the ceiling and walking calmly and unhurriedly after his scattering, scrambling prey without ever breaking a sweat.

LL Cool J as the school security guard who tries to write torrid romances while being berated down the phone by his gobby wife is great fun too. Also, the late great Donald Pleasence who played Dr. Loomis in some of the earlier films is affectionately acknowledged in photograph form, which is sweet.

My favourite thing about about this film is the presence in it of Janet Leigh, Jamie Lee’s still-beautiful mammy and undisputed horror movie royalty. Thirty-eight years before this film was made, she starred as the heroine of Alfred Hitchcock’s PSYCHO, still considered to be one of the scariest movies ever made.

HALLOWEEN H20 gives a couple of much-appreciated little nods to the earlier film, such as subtly playing the famous theme tune when Leigh’s character Norma (Norma…? Geddit…?), the school secretary, is walking away from the school to her car. I’m so glad she doesn’t get killed in this film. She’s been through enough, God bless her. S**t. That was a spoiler too, wasn’t it…? Dagnammit…!

I can only think of nice warm lovely things to say about this film. I want to hug this film. Go and watch it immediately so that we can hug it together. Bring back some kind of dessert, too…

AUTHOR BIOGRAPHY OF SANDRA HARRIS.

Sandra Harris is a Dublin-based performance poet, novelist, film blogger, sex blogger and short story writer. She has given more than 200 performances of her comedy sex-and-relationship poems in different venues around Dublin, including The Irish Writers’ Centre, The International Bar, Toners’ Pub (Ireland’s Most Literary Pub), the Ha’penny Inn, Le Dernier Paradis at the Trinity Inn and The Strokestown Poetry Festival.

Her articles, short stories and poems have appeared in The Metro-Herald newspaper, Ireland’s Big Issues magazine, The Irish Daily Star, The Irish Daily Sun and The Boyne Berries literary journal. In August 2014, she won the ONE LOVELY BLOG award for her (lovely!) horror film review blog. She is addicted to buying books and has been known to bring home rain-washed tomes she finds on the street and give them a home.

She is the proud possessor of a pair of unfeasibly large bosoms. They have given her- and the people around her- infinite pleasure over the years. She adores the horror genre in all its forms and will swap you anything you like for Hammer Horror or JAWS memorabilia. She would also be a great person to chat to about the differences between the Director’s Cut and the Theatrical Cut of The Wicker Man. You can contact her at:

[email protected]

https://www.facebook.com/SandraHarrisPureFilthPoetry

https://sandrafirstruleoffilmclubharris.wordpress.com

http://sexysandieblog.wordpress.com

http://serenaharker.wordpress.com

https://twitter.com/SandraAuthor

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